|
Published Paper New Applications for Loudspeakers in an Acoustical Space: A Composer's Perspective on Alternative Loudspeaker Placement From Volume V/1, Spring-Summer, 1989, of ex tempore BLOG Aka Pygmy Music Tradition: Does Music Precede Language? A discussion of and link to the study of music on the cutting edge of Anthropology Appropriation: Meta-Music or Sonic Poaching? A discussion of and link to the cyber-rebel Zypher's music Business As Usual Proof of American War Atrocities: Benhoa, Vietnam, 1967 A discussion of and link to an album cover of a local San Diego rock band portraying a war atrocity Music Analyses John Luther Adams: Dark Waves A revealing peak at Dark Waves through ProTools Johann Sebastian Bach: Unaccompanied Violin Partita in D Minor An analysis of unifying motives and harmonic structure in the 5 movement work. Ludwig van Beethoven: Symphony No. 9 An analytical formal map of the Finale to Beethoven's final symphony . Mile Davis: Blue in Green A map of Time: An analysis of tempo. Claude Debussy: Sarabande, Suite Pour le Piano Statistical analysis of chord types illuminates form. Béla Fleck and the Flecktones: UFO Tofu A formal cross-section of the musical ship imagined in UFO Tofu. Philip Glass: Einstein on the Beach An analysis of ABA forms in the Knee plays from Einstein on the Beach King Crimson: Discipline The discipline of Discipline: polymetric music involving meters of 5 Charles Ives: Piano Sonata No. 2, "Concord, Mass. 1840 - 1860" Principle of relative universality as identified by use of quotation of both classical and popular tunes of Ives' time. Igor Korneitchouk: Viola Concerto, "Coaxing the Shadows to Move of Their Own Volition" ProTools lays bare the form of my piece. Bobby McFerrin: The Jump Weaving texture in a piece for solo voice. Wolfgang Amadeus Mozart: Piano Sonata in D Major, K. 284 Comic framing, organization and variation within Theme and Variations, the sonata's final movement. Modest Mussorgsky: Pictures at an Exhibition An analysis of symmetry, tonality and other structural devices in the piece. Steve Reich: Music for 18 Musicians An analysis of patterns in this monumental piece. Pyotr Tchaikovsky: 1812 Overture A blow by blow account of how the music matches up with the progress of that historic war between Russia and Napoleon's Grande Armée. Anton Webern: Variations, for Piano, Op. 27 An analysis of the variety of form within the use of strict rules of serial composition. |
|
|